Book Launch: Farzana Doctor’s Six Metres of Pavement

What happens when you make the biggest mistake of your life? Farzana Doctor’s newest book, Six Meters of Pavement, deals with questions of regret and redemption in the story of a father who accidentally kills his baby daughter by forgetting her in the backseat of his car.

Early in March, the Toronto-based This is Not a Reading Series hosted the book launch for Farzana Doctor’s latest book, offering a night of good conversation, storytelling and music at the Gladstone Hotel. To read more about my night at the Gladstone, check out my Live in Limbo article here.

 

TPL’s Writer-in-Residence: Allan Stratton

This season, Allan Stratton is Toronto Public Library’s Writer in Residence. The author of Chanda’s Secrets, Chanda’s Wars, and Leslie’s Jorunal, Allan is an award-winning author and playwright whose works have been published in twelve different countries.

The year, I had both the honour and pleasure of submitting my short story, “Colour Blind”, for review by Stratton. Meeting on Friday, October 22, Stratton’s feedback was inspiring and invaluable. The stress he placed on focusing on writing a true voice as opposed to writing for an audience, as well as his mission to write true stories whether they contain hard truths or not, was refreshing. Furthermore, his advice helped me re-evaluate my current writing style and question certain issues I had when becoming close or distant to particular characters.

Shortly after our meeting, Allan hosted a workshop at the North York Central Library called “Writing Based Fiction”, during which he recounted his travels and research in sub-Saharan Africa. During this workshop, Allan discussed how to find the universal in the specific and the way in which literature could be an agent of social change. He also read from his novel, Chanda’s Secrets. It was especially captivating during Allan’s reading when, most of the time, he didn’t even have to look at the page. It was as though he were so close to his work that he no longer had to refer to it outside of himself.

This Saturday, November 13, Allan will be hosting yet another workshop at North York Central Library called “Using Theatre Techniques to Create Characters from the Inside.” Targeted towards younger writers, Allan will start with relaxation techniques then lead participants through visualization exercises in the creation of characters. Participants are then interviewed “in character” to learn techniques that will lift characters off the page. They will also learn about considering the Goals, Obstacles, Tactics, and Expectations for their characters, which will maximize dramatic space. Since space is limited for this workshop, if you’re interested in attending please call the HUB to register at 416-395-5674.

I strongly recommend writers to either participate in Allan’s workshops or try to find time to speak to Allan themselves. The Toronto Public Library’s Writer in Residence program is one of a very few that offers what it does to the Toronto writing community. Though the WIR program has been around for some time, continued patronage to the program is always good. And writers can never underestimate the benefits of a meeting like-minded artists. Check it out!

Script Revisions, Book Prizes, and Piano Concerts

Yesterday I went downtown to discuss my beat sheet with Krishna. I am now working on Beat Sheet Revision #7! According to Krishna, my script has become belaboured with too many plot lines and I have to really trim it down to the basic story. I was pretty discouraged but know that in the end my script can only benefit from Krishna’s mentoring.

On another note, I won a prize from Keep Toronto Reading! I think I probably won it through submitting a ballot at the Diaspora Dialogues Reading. I won five books by five different Canadian authors and will probably receive it later this week. I always love getting new books; it’s more to add to my library. Very excited!

On a final unrelated-to-writing note, yesterday I also watched Serhiy Salov play for the Four Seasons Centre’s Piano Virtuoso Series. It was the first of the series that I attended. I was especially impressed with his last performance of Mily Balakirev’s “Islamei: Oriental Fantasy”. He also performed some Scarlatti, Beethoven, and Ravel. I probably need to garner a greater appreciation for piano music to understand the complexity of the songs. Whenever I listen to piano music, especially Beethoven, I always picture black and white silent films from the early 1900s where people are hurriedly running about performing gags. It’s my Cinema Studies background getting the best of me and it’s sad to say that it usually ruins my perception of the music as I picture set up gags. At the end of his performance, Salov received a standing ovation.


Serhiy Salov playing at the Four Seasons Centre

Keep Toronto Reading: Friday Nights with Diaspora Dialogues

Tonight I attended the second of three Friday night readings hosted by Diaspora Dialogues and Keep Toronto Reading at the TPL Palmerston Branch. It was my first off-campus reading and the first time I ever ventured further than Bloor and Spadina in my life and I had an amazing night!

Tonight’s readings were hosted by Jill Andrew and included performances by nisha ahuja, Anthony De Sa, Sonja Greckol, The M.A.D. Poet, Sarena Parmar, and Cesar Polvorosa Jr. Each person’s performance rocked, but I especially enjoyed Anthony de Sa’s reading of “The Shoe Shine Boy” and the M.A.D. Poet’s spoken word poetry. Though I’m embarassed at my extreme emotion, her performance pretty much moved me to tears. I found one of the two poems she performed tonight on YouTube, which I embedded below: