Second Cup Gathering this Sunday, Sept. 13

If you’re free this Sunday, September 13 and you’re looking for something to do, drop by the Second Cup in the 16th & McCowan plaza between 1-3pm to meet up, hang out, and/or discuss any writing-related matters you may have on your mind. There’ll be a bunch of like-minded and really cool people there as well. There’s no set meeting time, so feel free to drop by anytime between those couple of hours, even if only for a few moments to say hi.

If you have any questions about the time, location and/or point of this gathering, feel free to message [email protected] for more information.

Hope to see you there!

Join Me Online on TorontoInColour.ca!

Check out Toronto in Colour, a virtual community dedicated to Toronto’s diverse population. Created by the Centre for Addiction and Mental Health, Toronto in Colour offers an online ethno-cultural community for members to network and interact with thousands of others from similar communities and backgrounds. Members can share profiles, photos, groups, events, and classifieds, and interact with a fast-growing network of friends right in the GTA. Furthermore, members also have the opportunity to see their culturally or diversely themed fiction, non-fiction, or poetry published online by registering and submitting work.

Feel free to check out the site, sign up, and add me as a friend. I’m part of the Filipino network at the moment. And for any other Filipinos out there, come join me online as well as one of the site’s inaugural members to represent our background! We currently have a very small online Filipino community – a community that we can certainly grow to mirror the vibrant one we currently share everyday in Toronto.

CMW: A New Direction

Warning: Below you will find a long and fascinating account of the Community of Markham Writer’s journey. Key words: Fascinating and LONG. You have been warned! Feel free to skim or skip at your desire.

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As my earlier post indicated, I was apprehensive returning to the CMW after my long hiatus. Prior to last week’s meeting, there were plans of newsletters, anthologies, writer’s brunches, and contests for the CMW. The plans were great, but the amount of footwork required seemed gargantuan without a support base or some funding. The more we thought of ways to grow the group, the more we added to our plate, and the larger our apprehensions grew. Questions were sprouting left and right, “Can one or two people really handle all of this? Is there any interest beyond our consistent three or four members? Is it worth it? Is the direction we’re taking right? And if it is, how come it feels so off?”

I finally came to the conclusion that at the Informational Meeting, I would lay down the facts for CMW members: This is what our group is, this is what it’s been, and this is what needs to be done in order to take it in this particular direction. If the manpower, money, and interest just couldn’t be mustered, then it seemed we would be unable to continue. Our earlier plans made it feel like a go big or go home kind of deal – a thought that depressed me because the CMW had always seemed, at heart, like a good thing – a right thing – and yet things just weren’t flowing.

Before heading out to the meeting, I yet again weighed pros and cons, planned out what I’d say and how I’d say it (especially if it came to the point where the CMW would be discontinued), and especially tried to recall why the CMW had been a good idea in the first place. That’s when I realized that perhaps it doesn’t have to be an all or nothing deal.

Back in the olden days, when people were passionate about something, they found others with similar interests to hold their topical discussions. Film clubs in Paris, for example, began simply because people who loved film congregated together as friends to share interests. Eventually, because the time was right or because the opportunity arose, they branched out. As a result of these early gatherings, film clubs like Objectif 49 began and, after years, led to magazines like Cahiers du Cinema, which housed the work of influential filmmakers and critics like Bazin, Godard, and Truffaut. Passionate discussion therefore led to renowned film organizations, which eventually led to world famous film journals and even more famous filmmakers and film movements. That being said, the basic unit of that growth began from everyday people who gathered as friends with similar passions; it didn’t start because people got together one day and said, “Let’s establish a film journal.”

Anyways, long tangent aside, a few minutes before our final meeting, I realized that I’d forgotten the whole point of the CMW. The CMW was originally founded so young adult writers could find others with whom they could discuss things that their friends and family members didn’t necessarily understand or care about. I’d also forgotten the implications of the CMW’s target audience: young adults, most of who are in school with limited income and mobility, won’t necessarily have money to pay for workshops or membership fees and can’t be expected to commit themselves completely when finals, midterms and unexpected assignments are constantly popping up. The most important thing at this stage, I think, is the writing and the knowledge that you aren’t alone in your writing.

That being said, I drove over to Angus in a post-epiphany glow and, after a brief discussion with the three other dedicated members of the CMW, agreed that we’d lost focus somewhere along the way. Right now, we shouldn’t be worrying about creating an institution. We should be enjoying what we’re doing. Writing, especially writing as a passion, is not a chore – it’s an adventure, a privilege. By becoming befuddled with the business side of it all, we made writing suddenly less fun for ourselves.

In conclusion, the CMW lives on, though in an altered (and better) form. And a lot of changes are being made. Even the name, “The Community of Markham Writers”, seems a bit pretentious for our aims. The purpose of our group is not to “get you published”, but to provide a supportive place where you can write, share your writing, receive feedback, and find support in whatever direction you wish to take, whether it be for pleasure or publication. Furthermore, we’re scrapping this “meeting” concept. When you hang out with friends, you don’t say, “I have a meeting at the movies tonight,” you say, “I’m going to go hang out” or “I’m seeing the girls for some girl-talk” or something. With the goal of creating a positive, friendly space in mind, you can now find us carousing about in coffee shops or visiting readings and events (talking about all those fun things and visiting all those fun places that your less exciting friends avoid).

Do you love writing? We do, too. Feel free to join us, meet some new people, make some new friends, or talk about that new poem you recently fell in love with but can’t talk about because others just wouldn’t understand or care.

Feel free to contact me at [email protected] if you want to know where we’ll be next. Trust me, it’s not scary at all.

P.S. Guess I have to change the “About” section again! Keep posted for those changes in a week or so.

CMW Informational Meeting

CMW Logo

When I started the Community of Markham Writers, I’d been toying with the idea of a writing group for a long time. My search for a writing niche or Creative Writing classes in Markham had proved unfruitful and discouraging. Markham’s literary scene seemed simply barren.

I joined together with a friend who had a bit of extra time to spare, and we held the first CMW meeting within a week. At the time, I had a general idea of what I wanted for the CMW, but had not fully considered how much work it would take. Within the first month, organizing the CMW was taking up more time than my writing, and the member following just wasn’t there.

During my vacation in Florida, I spent a lot of time winding down from the undergraduate grind and reconsidering where I wanted to go with my writing career. I re-evaluated the way I’d been spending my time in an attempt to create a writing schedule. This reflection led to further consideration of the CMW. Is anyone really interested in it? Is it really worth the effort? Is there a reason why Markham doesn’t already have a writing group (perhaps it’s not needed or wanted)? Should I just give it up? But if I do, would I be giving it up to early?

Until now, I am still a bit hesitant to return to the CMW. I’m worried that it will take too much time and effort  – time and effort I don’t mind spending if it is actually beneficial to others, but time and effort that would be wasted if no one else really saw any point to the group.

That being said, the fact that people – even if it’s only a few – are still asking, “When will the next CMW meeting be?”, or telling me that the CMW inspired them to write, makes me feel like the effort may be worth it.

If your schedule is free this Saturday, August 22, come and check out the Community of Markham Writers at 2pm in Angus Glen’s Room I meeting room. Meeting after a long hiatus, we will gather to discuss the goals of our group, the needs of our members, and what we’d like to see happen with the CMW in the future.

Feel free to RSVP via our online event or through e-mail ([email protected]), or check us out on Facebook to keep up-to-date with the latest CMW news.

Random Thought #3

I was reading The 101 Habits of Highly Successful Novelists by Andrew McAleer the other day and stumbled upon the following blurb. Weeks after having finished the book, this portion has stuck with me the most:

“There is a story about a woman who said that when she was in grammar school, she was always dying to go to middle school. Then, when she was in middle school, she was dying to go to high school, and in high school she was dying to go to college and then dying to have a family and then dying to retire. Then one day she woke up and realized that she was dying. She had wished her life away.”

Perhaps this blurb was so memorable to me because I can sympathize completely. I’ve had a similar experience of constantly looking forward, to the detriment of the present. When I was in elementary school, I couldn’t wait to go to high school. When I was in high school, I couldn’t wait to go to university. And when I was in university, I couldn’t wait to graduate. Even now, with an indefinite period of “resting” time (so-called by others, but more correctly called “writing” time, I believe), I find myself committing the same mistake. Throughout university I couldn’t wait until I graduated so I could travel. While I travelled I was constantly thinking about coming home and writing. Now, while writing, I am worrying about getting a job. It probably doesn’t help that the economy is so bad. The pressure is doubled to join the masses of the recently graduated and unemployed, looking for a job and the security it entails. I tell myself I should enjoy the moment, because my writing suffers as a result, becoming buried under repeated edits of cover letters and resume submissions.

I doubt this is a singular trouble. I’m not alone in such a harried way of life, am I? Is there something about our generation that makes us enjoy the added stress? It seems that we pride ourselves on a refusal to look at life in a cut and dry manner (“There must be more to this life than school and work and retirement!”, we say) and yet we are afraid to make the sacrifices this point of view entails. Is it possible to follow your passion and still have security (without already being a multi-millionaire)?

Perhaps sometimes you just have to jump.

LiL Article 4: Writer’s Retreats

Check out my latest article on Live in Limbo, “Writer’s Retreats: What They Are & Where To Find Them”. It’s just a tad text heavy, but I’m assuming anyone interested enough to read an article about Writer’s Retreats won’t mind reading a 500 word piece without any pictures.

I noticed that my LiL content is pretty broad, from bookstore layouts to book reviews to writer’s markets. I mainly pick topics that are most relevent to me at the moment. Since LiL is such an easy-going site, it’s easy to write at large. Still, I know I definitely have to improve on my review writing. As a result, these days I pay extra close attention to reviews in papers and online in the hopes of improvement. Keep an eye out for my future book reviews to watch my progress!

Tatamagouche Centre’s Writers and Exile Workshop

On Saturday I returned from Tatamagouche, Nova Scotia after attending the week-long Writers and Exile retreat.

Tatamagouche is a quaint, rural town located at about a two and a half hour drive from Halifax. It lacks cellphone reception and Internet connection (except for the basement’s landline computers), and is abundant in trees, mosquitoes and stars. That being said, Tatamagouche is a great place for writers in need of quiet writing and reflection time.

The bridge leading off to the hiking trail behind Tatamagouche Centre. It was my favorite part of the landscape, and is a beautiful place to watch the early morning sunrise.

The bridge leading off to the hiking trail behind Tatamagouche Centre. It was my favorite part of the landscape, and is a beautiful place to watch the early morning sunrise.

The Writers and Exile retreat, facilitated by Gwen Davies and Shani Mootoo, grappled with questions of an individual’s sense of exile and of the writer’s mission in regards to such experiences. The questions most frequently asked throughout the week were, “What story do I need to tell?” and “Why do I need to tell it?”

The retreat was the first collective writers’ experience I’ve ever had and it was an absolutely amazing one. In addition to travelling alone for the first time, I was thrown in the midst of an open and supporting group of unique individuals all searching for the same thing: their writing voice. It was heart-warming to finally feel that I, as an aspiring writer, was not alone.

Among the many things I learned over the past week, I learned that some stories just need to be written – no matter how bad the first draft. I also learned that I, as a cultural being, am not alone, nor are my experiences ones that lack interest or purpose to others. Instead, each individual’s story is one that can and should be told. The more stories we share, the wider our collective realities become. Most importantly, by being in an environment where writing is considered a serious business, I garnered the confidence in myself as a writer and in my dreams to write. As a result, I took a very important step on this journey of mine, and came back to Toronto without the fear that I’m doing the wrong thing by pursuing this dream. Life is meant to be lived. And my passion for writing is not a detriment to living. All I need now is the confidence and persistence to continue writing.

And if anyone from Tatamagouche just so happens to read this – Thank you to all the workshop participants, facilitators and visitors who made the experience a memorable one; it wouldn’t have been what it was without everyone’s whole-hearted participation and openness. It was a truly unforgettable experience.