Tone-Deaf Writing

What do all of these people have in common?

They all suck. Badly. And surprisingly, they don’t seem to know it.

Over the past year, I’ve gotten increasingly involved with various online and print publications and have really enjoyed it. This type of writing, however, is not what I ultimately wanted to do. I love to write, but I don’t want to spend all my time writing about other people’s books. I want write my own books, too.

Recently I decided to leave shift work to focus more of my time on art. This included applying to Humber’s School for Writers Correspondence Course – a renowned course, but one that cost a tiny fortune.  I knew that if I got accepted into the program, I’d have to pay up, so I began looking into grants and scholarship programs.

One of the grants I applied for belonged to the York Region Arts Council. Silly me thought that my chances of landing a YRAC grant were pretty darn good. I had a pretty good portfolio and I’d agreed to write for the YRAC’s new YorkScene website, too.

Months passed and the deadline to hear back about the grant came and went. I took to checking my mailbox every day. People say that a watched pot never boils. Well, a watched mailbox never fills. On Thanksgiving Day, after hearing nothing in the mail as I was supposed to, I was included in a mass e-mail sent out to all rejected Grant applicants. “Thanks for trying. Sorry you didn’t make it,” was the gist of the thing.

I was devastated, of course, but it wasn’t about the money. It was about the above. It was about American Idol contestants who suck and suck badly. When people watch American Idol, they watch it as much for the success as for the failure. The above video has been viewed over 6 million times! These awful singers are just hilarious to watch. How do they not know how bad they are?

Over the years, after that first bout of curl-up-and-cry rejection from grad school, I’ve harboured a fear of what I term “tone-deaf writing”. What if I’m just not good enough? What if I just can’t see how awful my writing actually is? What if I’m one of those sad, sad people who pursue a dream to death to the point where it is no longer inspiring, but shameful and a tad depressing?

Being rejected for the grant -not even through snail mail like I was advised I’d be, but through a mass BCC – reinforced all my fears about being a tone-deaf writer. I found myself thinking, ‘Gee whiz, good thing I didn’t quit my day job, and thank goodness I signed up for courses in Project Management too.’

Of course my relationship with writing didn’t end there, but it certainly was a low point for me. Feelings of insecurity and uncertainty are normal, but what do you think of these feelings in relation to art? Of course it’s only natural for every artist to experience a certain degree of insecurity. Then again, what if you’re a “tone-deaf” artist? It’s naive to believe that a certain degree of talent isn’t needed to succeed in art. Some people just don’t have an affinity for certain arts. I can’t sing for beans and I know that. What if I can’t write for beans, either, but I just can’t accept it? What if you’re a tone-deaf artist? How would you ever know? And when, in the pursuit of art, should you accept your limitations and stop?

A General Update: My breakup with Writing

Aloha lovely readers! Please pardon my infrequent posting. My writing in general has been spotty as of late, and as someone who said her blog was one that “documented her writing journey”, I feel I’ve failed thus far in not tracking my progress the way I promised I would.

As I mentioned earlier, I was offered a job this September by Ganz, Inc. – an opportunity I couldn’t refuse considering the awesome position (Creative Writer working with online games). That being said, once I started working I naturally didn’t have the time to do all the things I’d originally planned for my post-grad self (y’know, sleep in, lounge in my pajamas, ponder the stucco on my ceiling and sometimes colour-code my writing folders). Though anxiety would occasionally niggle at me during my “time off” for not having a “real job”, my anxiety then was nothing compared to the anxiety I experienced after starting work. Suddenly, the days of stucco-gazing (aka writing with complete abandon at any time and in any place I desired) seemed far away and long gone.

The crisis I experienced once I started working was deep and dark, though I’m not going to pretend I alone am privy to this despair. I am certain that almost every young adult experiences this at some point in their life. It usually hits around the time he or she has to enter the “real world” and is quickly gaining attention as society’s new ailment: The Quarter Life Crisis.

A large part of my crisis arose with this first, extended encounter with the “real world”. While I was in school, my parents and siblings would wonder why I was rushing to graduate. “You better enjoy yourself. You don’t want to run into the “real world” too quickly. You’ll have much less time to do the things you want to do.” I scoffed at their cautious remarks. I’d grown up in an age of technological miracles. Every day someone or something exceeded human limits. What defined the “real” in this world? Nothing but the limitations one imposed on oneself. Applying this mentality to myself, I was certain I’d have an awesome life: the perfect job, the perfect home, the perfect balance between writing and occupation and travel; I’d have it all together, all at once. The real world was vast and promising.

Promising, that is, until I started a regular, permanent job and I had to suddenly navigate a world beyond my yellow room, my coffee shop discussions about life and writing, and my juvenile scribbles about hopes and dreams. Though it was an adjustment to realize I’d only have two unstructured weeks a year to travel, it was an even greater adjustment in regards to my writing. Unused to waking up at regular hours since Gr. 11, I’d fall asleep as soon as 7pm came around. I’d desperately try to force myself to write after work, against my shell-shocked body’s fatigue, feeling like it was my number one duty as a “real” writer to persevere. Suddenly writing became a chore – harder than work itself.

If only I never loved writing. With school finished early, a great job right out the gate, and no financial worry because of the hard work of my parents before me, my life should be blue skies and daffodils. I would be content, if not for my writing. I was hit hard with an unlucky combo of physical exhaustion and writer’s block.

And that’s when I started to hate writing.

I’m ashamed to admit that I stopped scheduling writer’s meetings and missed deadlines for Live In Limbo; those once-fun activities were now painful reminders of my incapable, mundane, uncreative existence.

Suddenly lost passion feels similar to losing one’s God. It is that grave. It is waking up one day and realizing that some constantly definitive aspect of yourself is absent and, no matter how hard you try, only a cold, unfeeling door presents itself to you – closed and inaccessible.

Finally, I decided that I’d give up on writing because it had given up on me. I could only stare at a closed door for so long until I started to feel like writing’s desperate, psycho ex-girlfriend. I let go.

The next day, I started thinking of supplements to a life without writing. So, I wasn’t going to be a world renowned author. Now what would I be?

Perhaps the best part of this experience was discovering other options. I could no longer define myself solely as a writer. Within a few weeks, I remembered that I was also an editor, a student, a volunteer, a planner. I could still be involved with the literary world, just not in the way I’d initially planned. It wasn’t necessarily a bad thing. Furthermore, by suddenly losing my main focus, I realized that within my month or so of stucco-staring, I’d lost sight of everything else I was and could still be.

And you know what the funny thing is… weeks after I’d broken up with writing, I met with a friend for a writing session – one that had been organized well before the crisis occurred. I was reluctant to meet and eager to finish the session before it even began. While he was critiquing my work, I pitied his waste of breath, knowing I could never write the book we were discussing because I was no longer the writer I’d imagined myself to be.

Until he said, “I’m really curious to know more about this character”. And suddenly, for the first time in a long time, I was curious too.

Wake Up to Bad News

Dear Ms Mia Herrera:

Your application for graduate studies in the Department of English at Queen’s University has been given careful consideration and I regret to inform you that we are unable to offer you admission.

Thank you for the effort you have made in applying to Queen’s University. I trust you will find a graduate program elsewhere which appeals to you.

Yours sincerely,

Monica Corbett
Director, Admissions and Student Services
School of Graduate Studies and Research

———

Checking my e-mail is the first thing I do when I wake up. Literally. Checking my inbox this morning was brutal. I haven’t been out of bed since.

Is it possible that Queens found my blogs, which adamantly stated that going to Grad School was a back up plan for me? For the past few months I’ve been envisioning the moments when I receive word from the school’s I’d applied to, but who would have thought I’d hear back from them so soon? Part of me truly wished that I wouldn’t get in so that it would clear a path for me to do what I really wanted to do. Another part of me truly wished that I would get in because, although I’d probably be faced with the tough decision of having to reject one option over the other, at least it’d be on my own terms and not because I’m just not good enough.

Oddly enough, I was always functioning under the impression that I would be rejected from UofT but accepted into my other two choices. I know that this sounds pretentious and is sorely underestimating the graduate faculty of other universities, but my Registrar had even told me as much. Now that I’ve actually been rejected from Queens, I feel as though it’s a sign that I’m just not going to be accepted everywhere. And this bad news is accompanied by mixed emotions.

First and foremost, no one likes the feel of rejection and I am no exception. Despite the fact that (I suspect) the rejection was first received with relief – as though I can now finally stop tipping on my toes and focus on my writing ithout having to split my mind between getting stellar grades and working on my passion – the rest of the moment was just flooded with… embarrassment.

Seriously, most of me is just embarrassed that I will have to tell people I was rejected. Not only from Queens, but most probably from all the other universities I applied to. I don’t want to go downstairs because I don’t want to face my parents.

& now that I’ve written it all out… I suppose a little bit of me actually feels happy for this outcome. For the next two months of school I no longer have to stress about assignments, tests, grades – I just have to worry about getting that fifty and breezing out of here : ) Adios to a lifetime of education! Aloha shady and unknown future!

Two E-mails Received Feb. 23, 2009

My First Rejection

Hello Mia,

Thank you for submitting your essay to IDIOM: English Undergraduate Academic Journal. Unfortunately we are unable to include your essay inthis year’s edition of our journal. The number and caliber of contributions greatly surpassed our expectations. However, projectslike ours depend entirely on the willingness of students to participate in a lateral literary critical discourse: we thank you for supporting IDIOM with your submission and highly encourage you to submit again next year! We also hope you will pick up a free copy ofthe new volume of our journal in April: please write back if you would like to receive an update when it becomes available.

Sincerely,

IDIOM Editiorial Board


My First Acceptance
Dear Mia,
We are happy to inform you that your short story “Mahal Kita” has been accepted for publication in our upcoming issue of the *Hart House Review*.C ongratulations! However, we have condensed your work to help intensify the complex and heartfelt story you are conveying, as well as to make the division between the past and the present clearer to readers. We have attached your work to this email and the changes are indicated by TrackC hanges. Please let us know if these changes are acceptable to you; if so, please confirm by the end of the next week since we are working on the production stages of the *Review*.
Once again, congratulations! We will be sending out information about the launch in the coming months.
Regards,
The *Hart House Review* Editorial Board
———–
Just for the record, the first letter was from an academic journal, to which I sent an old essay about the duplicity between duty and derogation in Richardson’s Pamela. The second is from a literary journal, to which I sent a short story I wrote about the Philippines.
Another note for the record is the fact that I applied for Grad School – to Queens, Western, and UofT for their Masters in English programs. I felt like it was a good back up plan at the time – my second greatest passion to writing being reading. The irksome thing about it all, though, is that, not only did I spend $500+ on applications, but I also feel, increasingly, like school isn’t where I belong. Despite the fact that I’ve fast-tracked university and am not doing horribly bad in school, I still feel sub-par in my program – as though I’m just not smart enough and I’m somehow magicking my way through classes. I fear this same feeling will follow me through Grad School, and I have nightmares about finding myself in a PhD program and having to admit to everyone that my mind just doesn’t work analytically in that way.
In a way, these letters have solidified the dichotomy between school and writing in my mind. One, I was born to do, and another, I learned to do.
Despite the fact that my mid-terms and finals are quickly approaching, I can’t seem to make myself focus on getting those Grad School grades. I spend more time researching writing techniques, reading for fun, and hammering out scenes for my screenplay.
But perhaps, everything happens for a reason. At least I will know that I’ve kept all doors open and tried my best.